

Living in
Interesting Times by
Joanna Novins
posted:
12-22-03
With the way the economy has been going,
we all know someone who has lost a job. Or maybe we're the
one who is out of work. And whether we've known for several
years that the company's stock was dropping and personnel were
being downsized, or we've suspected for months that the office
was going to close, severance still seems to come as a shock.
It's not just the loss of income and security that are stunning,
but the sudden loss of personal identity.
It's not surprising, I suppose, when you
think of how most of us answer the question, "What do
you do?" Almost without thinking, we say, "I am," and
then continue with a job title. It is as if we have come to
believe that what we do is who we are.
It's certainly how I felt when I left my
job with the Central Intelligence Agency several years ago
and moved to Connecticut. The move was abrupt: one day my husband
called me at the office to ask if I'd like to give up my job,
move to the New York area, and stay home with the children.
I laughed, said absolutely not, (I'd recently been promoted
to a management position), and hung up the phone. Two days
later I was in my boss's office explaining why I would be quitting.
I made the decision for all the right reasons.
The move earned my husband a partnership in a top tier consulting
firm and my children the full-time attention of a parent. It
brought us back to my hometown, down the street from my parents.
It was perfect for everyone—everyone it seemed, except
me. I loved my job at the CIA. I'd worked there for over a
decade. I'd spent nearly as many years studying the topics
that had earned me a position there. My job, my degrees, the
schools I attended; they were how I defined myself. Without
them, I felt lost.
I
attempted to fill the void by trying to be a super mom. I cooked.
I cleaned. I played games with my children. I read to them,
sang to them, and let them loose with art supplies. It didn't
work. I tried harder. I enrolled them in classes: music, art,
gymnastics, skating, science, chess, soccer, basketball, and
karate. They'd start each session enthusiastically enough,
but by the end they'd be dragging their sneakered feet, begging
to stay home and play, and I'd be struggling to get them into
the car and lecturing them about missed opportunities.
Which is when it hit me.
I was the one who was missing opportunities.
I was missing opportunities to learn, and grow, and redefine
myself. For the first time since my late teens, I had a chance
to think about what I'd like to do. But in contrast to the
decisions I'd made in my teens, I didn't have parents or teachers
telling what I should do. Moreover, I didn't have to imagine
what I might enjoy, or what I might be good at; I'd had enough
experience to know.
I started thinking about what it was that
I missed the most about my job. I'd spent most of my time as
an analyst. I'd loved the creative process of researching,
analyzing fragments of information, and drawing them together
in a tightly written piece. I thought about the elements of
the job I didn't miss, the administrative tasks that came with
management responsibility, and the bureaucratic politics. I
realized that if I'd stayed at the agency, continuing along
the path I'd set for myself in management, I would have moved
farther and farther from the aspects of the job that intrigued
and challenged me the most.
I stopped enrolling my children in classes
and started enrolling myself. As simple as it sounds, taking
classes isn't something most people in their thirties and forties
seem to do. I don't think it is just because we're busy with
jobs and family. It's almost as if there's an unwritten law
that only the very young and the very old are allowed to try
new things. I don't why this is, perhaps the young are seen
as still deciding to do with their lives while the old are
seen as having already done it. In between, it seems we are
expected to stay the course.
A conversation I heard recently brought this
home to me. A friend was speaking to another, a man in his
early forties, who had recently lost his job. "Well," she
said, "you have to be careful what you choose, because
at your age, this will probably be the last job you ever have." With
life expectancies soaring, why should this be the case? Why
should we be expected to remain wedded to choices we made in
our twenties? Only imagine if we were expected to stick with
other choices we'd made that early in our lives, the fashions,
for example, or the boyfriends?
I took classes in things that interested
me, and not because I was looking for a new career, or a new
degree, or even a new identity. Some of the things I chose
to learn seem deceptively simple; I tried my hand at throwing
pots on a wheel, dressing a loom and weaving, knitting. I didn't
do all of them well, nor did I enjoy everything I tried to
do, but it wasn't my intention to become a master potter, or
weaver, or knitting designer. Without entirely being aware
of it, I was changing my image. I was learning for the sake
of learning, not to achieve something or impress anyone. And
because this was so, I allowed
myself to fail, I allowed myself to quit, and I became increasingly
comfortable with starting over. Looking back on it, I suppose
it's not surprising that I enjoyed knitting the best. With
knitting you can experiment with color, with texture and with
shape, and if you don't like what you're doing, in an instant
you can rip it all out and start again.
Eventually,
I tried something I'd wanted to do since I was a kid. I wrote
a book, an historical romance full of wild adventure set in
France and England in the early days of the French Revolution,
called the Souvenir
Countess. Though the setting is far from
my suburban Connecticut lifestyle, the heroine's emotions,
her sense of loss, her anger and frustration, and ultimately
her sense of hope, are all drawn from the way I was feeling
at the time.
At the heart of the Souvenir
Countess is a heroine who is struggling with change.
A sheltered noblewoman, Alix de La Brou has been raised with
an expectation of what her life will be—marriage to
a man who will maintain her in comfortable circumstances
and who will place few demands on her beyond producing children.
The peasants' destruction of her father's chateau casts the
heroine out into the world and forces her to reinvent herself,
discovering capabilities she never knew she had in the process.
The
book sold. I tried my hand at another book, set in the American
Revolution, which didn't sell. So I wrote another one, returning
to the French Revolution and throwing a spy twist into the
romance. Souvenir
Of Love will be
published back to back with Souvenir
Countess in January
and February 2004. I'm already at work researching another
book, more French Revolution, more spies, and underground
tunnels in Paris. Whether or not it sells, I'm looking forward
to the research, the writing, and the emotional journey on
which the process takes me.
Change is always frightening, especially
when it is unexpected. In China, there is an ancient curse, "may
you live in interesting times." To Western ears, it may
seem like an odd choice of words for a curse—indeed,
the other day I saw it quoted as in an advertisement for a
workshop on spiritual awakening. But in China order is seen
as a blessing, and disorder, or change, as a curse. It's a
matter of perspective; do you cling to old order or do you
strike out for the new?
Read other articles by Joanna